Extinction

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April 2022
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Program and cast

Propuesta escénico-musical de la Agrupación Señor Serrano

About misa de batalla y la misa pro defunctis by Joan Cererols (1618-1680)

Premiere

New production by the Teatro Real Nueva, in co-production with the Teatro de la Abadía and in collaboration with the Festival Internacional de Arte Sacro (FIAS)


ARTISTIC TEAM


Musical conductor I Javier Ulises Illán

Stage directors and dramaturgs I Àlex Serrano, Pau Palacios

Costume designerI Lola Belles

Lighting I Cube.bz

Chorus director I Andrés Máspero

Titular Choir of the Teatro Real (Coro Intermezzo)

Ensemble Nereydas
 

CAST


Performers I Agrupación Señor Serrano

Teatro Real

The Teatro Real is Spain's leading opera house. It is considered to be the top institution in the country in the music and performing arts field. 


The Teatro Real Foundation is chaired by the King and Queen of Spain. It relies on two public administrations that took part in its creation: the Ministry of Education, Culture and Sports, and the Comunidad de Madrid (Regional Government of Madrid). The Foundation is governed by a Board of 31 trustees. The Board of Trustees elects the President of Board and the Executive Commission as proposed by the Ministry of Education, Culture and Sport. The Foundation is a public entity and there is an important role played by civil society in its governance and sponsorship. 


The objective of the Teatro Real is to create a venue for the most talented singers, conductors ands stage directors from around the world. Its artistic mission is expressed in programming which seeks excellence by combining classical and contemporary lyrical repertory to appeal to audiences of all ages and interests. Introducing young people and children to opera is of particular concern. All this, along with the Principal Chorus and Orchestra of the Teatro Real, the most up to date technological expertise and the large number of in house productions on stages around the world has firmly positioned the Teatro Real in Spain and abroad. 

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