Tonkünstler Symphony Orchestra of Lower Austria

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Program and cast

 

WEDNESDAY, MARCH 20, 2024 - 8:00 p.m

PERFORMERS

Tonkunstler Orchestra Lower Austria
Yutaka Sado, conductor
Richard Galliano, accordion

PROGRAM

Tango Orchestral

Ends approximately 9:30 p.m

 

SUNDAY, APRIL 14, 2024,

TUESDAY, APRIL 16, 2024

PERFORMERS

Tonkunstler Orchestra Lower Austria
Fabien Gabel, conductor
Martin Helmchen, piano

PROGRAM

RICHARD STRAUSS

Symphonic fantasy from the opera “The Woman Without a Shadow”, AV 146

WOLFGANG AMADEUS MOZART

Concerto for piano and orchestra in E flat major, KV 482

- Break -

JOHANNES BRAHMS

Symphony No. 3 F major, op. 90

 

SUNDAY, APRIL 28, 2024,

MONDAY, APRIL 29, 2024

PROGRAM

JOHANNES BRAHMS

Concerto for Piano and Orchestra No. 2 in B major, op. 83

- Break -

LUDWIG VAN BEETHOVEN

Symphony No. 7 A major, op. 92

 

WEDNESDAY, MAY 22, 2024

PERFORMERS

Tonkunstler Orchestra Lower Austria
Michele Mariotti, conductor
Albert Hosp, moderator

PROGRAM

Do you love Beethoven?

LUDWIG VAN BEETHOVEN

Symphony No. 7 A major, op. 92

 

SUNDAY, MAY 26, 2024,

TUESDAY, MAY 28, 2024

PERFORMERS

Tonkunstler Orchestra Lower Austria
Hugh Wolff, conductor
Andreï Korobeinikov, piano

PROGRAM

GABRIELA LENA FRANK

“Escaramuza” for strings, percussion, harp and piano

SERGEI PROKOFIEV

Concerto for Piano and Orchestra No. 2 in G minor, op. 16

- Break -

SERGEI VASILYEVICH RACHMANINOV

Symphonic Dances for Orchestra, op. 45

 

FRIDAY, JUNE 7, 2024,

SUNDAY JUNE 9, 2024

PERFORMERS

Tonkunstler Orchestra Lower Austria
Yutaka Sado, conductor

PROGRAM

GUSTAV MAHLER

Symphony No. 9 in D major

Photo gallery

Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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