Traffic Strings

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PreviousDecember 1971

Program and cast


Traffic Strings

Alexandru Marian, violin

Andrei Stanciu, violin

Lucian Moraru, viola

Eugen Bogdan Popa, violoncello

Sandel Smarandescu, double bass

Catalin Raducanu, piano

Vasile Raducu, pan flute

Bogdan Constantin, percussion


Antonio Vivaldi

Concerto in G major RV 293 for violin, strings and basso continuo "Autumn" (The Four Seasons) (1st movement: Allegro - Allegro assai. Ballo e Canto de' Villanelli in arrangement by Lucian Moraru) (1725))

George Enescu

Romanian Rhapsody in A major op. 11/1 (arrangement by Lucian Moraru) (1901)

Erik Satie

Première Gnossienne (arrangement: Lucian Moraru) (1890)

Werner Thomas-Mifune

South American String Jumps

Lucian Moraru

Borsa. Transylvanian Suite

Jeronimo Gimenez

La Boda de Luis Alonso. Zarzuela (arrangement: Lucian Moraru)

Pablo de Sarasate

Carmen Fantasy op. 25 for violin and piano (arrangement: Lucian Moraru) (1883 ?)


David Clayton Thomas

Nuclear Blues (Arrangement: Lucian Moraru)

Baden Powell

Consolação (Arrangement: Lucian Moraru)

Carlos Gardel

Por una cabeza (Arrangement: Lucian Moraru) (1935)

Lucian Moraru

Faculty of Law

Freddie Hubbard

Little sunflower (Arrangement: Lucian Moraru)

Paul Desmond, Maria Tănase, Lalo Schifrin

Medley from "Take Five", "Cine iubește și lasă" and "Mission Impossible" (arrangement: Lucian Moraru)

Chick Corea

Spain (arrangement: Lucian Moraru) (1971)

Grigoraş Dinicu

Hora Staccato for violin and piano (arrangement: Lucian Moraru) (1906)

Astor Piazzolla

Michelangelo 70 (Arrangement: Lucian Moraru)

Mother's Finest

Baby Love (Arrangement: Lucian Moraru)

Wiener Konzerthaus

The Wiener Konzerthaus ( Vienna Concert House or Hall) is one of the largest and most artistically progressive institutions in international musical life. During the course of a season, which extends from September to June, some 750 wide-ranging events take place and more than 600,000 visitors can listen to around 2,500 different compositions. With this comprehensive and varied selection, the Wiener Konzerthaus – together with the Vienna State Opera House and the Musikverein – is central to Vienna’s reputation as one of the world’s leading music capitals.

From its earliest days, the Wiener Konzerthaus has held the highest cultural aims and artistic mission: «To act as a venue for the cultivation of fine music, as a meeting point for artistic endeavour, as a home for music and a cultural centre for Vienna». It was in this spirit that the Konzerthaus was inaugurated on 19 October 1913 with a festive concert attended by Emperor Francis Joseph I. To mark the occasion, Richard Strauss wrote the «Festliches Präludium op. 61», which was followed by Beethoven’s Ninth Symphony. This programme combination, comprising a contemporary work and a masterpiece from the past, served as a model for the Wiener Konzerthaus’s future direction: today, too, an awareness of tradition and the joys of innovation form the main pillars of the Konzerthaus’s artistic identity.


Access to the Wiener Konzerthaus

Public transport:
Short walk from the U4 Stadtpark Station: 10 min walk from the U4/U1 Karlsplatz Station, or take the 4A bus.

From the tram and bus stops at Schwarzenbergplatz, accessed by D, 2 & 71 trams and 3A & 4A buses. The 4a bus stop is at Hotel Am Konzerthaus.

The nearest taxi stands are at the Hotel Intercontinental in the Johannesgasse and at Hotel Am Konzerthaus on the Heumarkt.

Restaurants next to:


Hotels in immediate vicinity:

Hotel am Konzerthaus and Intercontinental


Great Hall

In the heart of the building (which consists of more than 600 rooms) lies the Konzerthaus’s flagship, the Grosser Saal (Great Hall). Designed with a sense of space and classical balance, its stage has provided the setting for many memorable concerts over the years. In this room, artists, audiences and atmosphere blend into a harmonious triad.

Home to world-famous orchestras, virtuoso soloists, renowned conductors and legendary jazz musicians, the Great Hall can accommodate an audience of 1,800 and offers the perfect venue for a wide variety of musical activity. The Great Hall has emerged from the major renovation with renewed splendour and, despite improvements in technical installation and audience comfort has continued to conserve its original elegance. Its unique atmosphere ideally lends itself to the broad range of artistic activities offered by the Vienna Konzerthaus.



Mozart Hall

Open and relaxing, welcoming and intimate, with its incomparable appeal, the Mozart Hall constitutes a jewel of international musical life. The perfect setting for all types of chamber music, from lute and Lieder recitals to string quartets and chamber orchestras, it can accommodate an audience of around 700 – an ideal size in which to experience the intimacy of chamber music and recital performances.

The Mozart Hall enjoys world-wide acclaim on account of its unique acoustics. This distinction makes it a top favourite with leading ensembles and soloists – as well as a popular venue for recordings. This was taken into account during the major renovation of the building: as with all other rooms in the Konzerthaus, the Mozart Hall is directly linked to a recording studio and a technical control room.


Schubert Hall

With its festive character, the Schubert-Saal presents the perfect model of a music salon, the restored use of the windows follwing the renovation having returned the room to its elegant, airy appearance.

Equipped with around 320 seats, it lends itself to a wide range of chamber-music concerts, as well as to receptions, dinners and lectures. It is home to the popular lunchtime concert series, as well as to events which enable promising young musicians to experience a professional concert stage. Many a musical career has been launched in the Schubert Hall of the Vienna Konzerthaus.

Seating capacity: 320
Auditorium: 240 m²
Podium: 50 m²


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