Die Frau ohne Schatten

OPERA IN THREE ACTS (1919)

MUSIC BY: Richard Strauss

TEXT BY: Hugo von Hofmannsthal

The jealously guarded daughter of the powerful spirit ruler Keikobad was once hunted by the emperor of the Southern Islands when she had taken on the form of a gazelle and then became empress by marrying him. Now, to prevent the emperor from being turned to stone, she must cast a shadow, which in her world means that she must be able to bear a child. In the human world, she tries to buy the shadow of a childless, dissatisfied dyer’s wife. But when she realises that she can only buy her luck through this couple’s misfortune, she decides to relinquish her wish.

During the First World War, Richard Strauss and his like-minded partner Hugo von Hofmannsthal created this fantastical, fairy-tale opera full of symbols and metaphors, which they regarded as their main oeuvre. »The Woman Without a Shadow» is undoubtedly one of the most enigmatic, fascinating works in the repertoire of opera in the way it oscillates between otherworldliness and psychoanalytic zeal. With all kinds of conceivable sounds that shimmer in a vast range of timbres, Strauss once again expanded the palette of late-Romantic orchestral music with this challenging, lavish opus that dealt with highly intimate subject matter in a bombastic form. Claus Guth’s multi-layered, impressive directorial work, created at La Scala in Milan and already performed at the Royal Opera House Covent Garden, emphasises the sombre undertones of the opera and evokes the hardship of the empress who is caught between two repressive worlds.

Synopsis

The opera's story is set in the mythical empire of the Southeastern Islands and involves five principal characters: the Emperor (tenor), the Empress (soprano), her Nurse (mezzo-soprano), Barak, a lowly dyer (bass-baritone), and the Dyer's Wife (dramatic soprano). A sixth character, Keikobad, King of the Spirit Realm and father to the Empress, sets the plot in motion, but never appears on stage. The Empress is half human: she was captured by the Emperor in the form of a gazelle. She assumed human shape and he married her, but she has no shadow. This symbolizes her inability to bear children. Keikobad has decreed that unless the Empress gains a shadow before one year elapses after her human marriage, he will reclaim her as his daughter and the Emperor will turn to stone.

Act 1

Scene 1

It is dawn, outside the bedchambers of the Emperor and Empress. The Messenger of Keikobad arrives, and tells the Empress's nurse that the Empress must acquire a shadow within three days, or she will be forcibly returned to his realm, and the Emperor turned to stone. The Nurse is excited about the prospect of returning to the spirit world, since she hates humans and having to dwell with them.

The Messenger leaves and the Emperor emerges from his bedchamber. He departs on a three-day hunting trip, seeking his favorite falcon, which he drove away for attacking a gazelle that later turned into the Empress. He leaves his wife to the Nurse's care. The Empress emerges from her chamber and reminisces about times when she had the ability to turn into any creature she wanted.

It is revealed that after being attacked by the red falcon that the Emperor is seeking, she lost a talisman that gave transformation powers, and on which was inscribed a curse that foresaw the fate she and the Emperor are about to face if she does not acquire a shadow. The red falcon appears and warns the Empress that the curse is about to be fulfilled. The Empress begs the Nurse to help her get a shadow. The Nurse, who is steeped in magic, suggests descending to the mortal world and finding a woman who will sell her shadow to the Empress.

Scene 2

Barak, a dyer, shares his hut with his Wife and his three brothers: the One-Eyed Man, the One-Armed Man, and the Hunchback. The three brothers fight about a stolen item and are separated by the Wife, who throws a bucket of water at them. The three brothers then argue with the Wife. Barak enters and stops the argument. The Wife wants to have her brothers-in-laws thrown out, but her husband refuses.

The Dyer desires children, but his Wife fears the responsibility and has secretly sworn not to have any. The Dyer and his brothers leave, and the Empress and the Nurse arrive in disguise. The Nurse conjures up visions of luxury and promises them to the Wife in return for her shadow. The Wife agrees to deny her husband for three days, during which the Nurse and the Empress will live at the Dyer's hut as poor relatives who have come to work as servants.

Barak approaches and the Wife is worried that dinner is not ready. The Nurse uses her magic to have dinner ready, and also splits the couple's bed into two single beds, separating them with a curtain. The Nurse and Empress disappear, and the Wife is greatly upset by the offstage Voices of Unborn Children lamenting, which emerge from the fish that are cooking on the fire. The Dyer returns to find he is barred from his marital bed. The Wife informs him of the impending stay of her "cousins" and goes off to her separate bed. From outside, the Town Watchmen are heard singing of the importance of conjugal love. Barak sighs and lies down to sleep on the floor.

Act 2

Scene 1

The Empress, acting as a servant, helps the Dyer leave for work, but is troubled by her role, because Barak is very kind to her. The Nurse conjures up the image of a handsome youth by bringing a broom to life, which tempts the Dyer's Wife. The Dyer returns with his hungry brothers and a throng of beggar children. He has had a magnificent day at the market, selling all his goods, and has invited everyone to celebrate. However, his Wife manages to ruin the celebration by refusing to eat the food he has brought home.

Scene 2

The Emperor is led to his hunting lodge in the forest by the red falcon. He sees the Empress and Nurse surreptitiously enter the lodge, and is suspicious. When he comes closer, he smells a human odor trailing the Empress. Thinking she has betrayed him, he resolves to kill her. He first thinks of using an arrow, and then his sword, and then his bare hands. Finally he realizes he can't do it. He resolves to seek out some isolated ravine to be alone with his misery.

Scene 3

At the Dyer's house, the Dyer is drugged into sleep by the Nurse. The Nurse again conjures up the young man for the Wife, who grows frightened and rouses the Dyer. Barak is surprised to learn that there is a man in his house but then is quickly turned upon by his Wife, who shouts at him, then leaves for the city, leaving her confused husband. Left alone with Barak, the Empress feels guiltier than before.

Scene 4

The Empress goes to sleep at the hunting lodge, but in her sleep she is further troubled by her crime and by the possible fate of the Emperor. In a dream, she sees the Emperor enter her father's realm. Unseen choruses chant the curse of the talisman. Awakening, she is overcome with guilt and remorse.

Scene 5

The next day, the Wife announces that she has sold her shadow. When a fire reveals that she has no shadow, the enraged Barak is ready to kill her. The Empress cries out that she no longer wants the shadow. A sword appears in the Dyer's hand. His brothers restrain him as the Wife declares her remorse and urges Barak to kill her. An earthquake splits the ground and Barak and his wife are swallowed into the earth. The brothers flee, and the Nurse, recognizing Keikobad's hand, spirits the Empress away.

Act 3

Scene 1

In a grotto beneath the realm of Keikobad, the wife and the Dyer are seen in separate chambers, unaware of the other's presence. The Wife is haunted by the Voices of Unborn Children. She protests that she loves the Dyer, who regrets his attempted violence. A voice directs them up separate staircases.

Scene 2

The Empress and Nurse arrive before Keikobad's temple. The Nurse tries to convince the Empress to escape but she remembers the doors from her dream and knows that her father is waiting for her on the other side. She dismisses the Nurse and enters. The Nurse foretells terrible tortures awaiting the Empress and misleads the Wife and Barak, who are looking for each other, she to die at her husband's hand, he to forgive her and hold her in his arms. Keikobad's Messenger condemns the Nurse to wander the mortal world.

Scene 3

Inside the Temple, the Empress speaks to Keikobad, asking for forgiveness and to find her place amongst those who cast shadows. Keikobad does not answer but shows the Emperor already almost petrified. The Fountain of Life springs up before the Empress, and a temple guardian urges her to drink from it and claim the Wife's shadow for herself. But the Dyer and the Wife are heard offstage, and the Empress refuses to steal their future happiness and become human by robbing humanity from someone else: "Ich will nicht!" ("I will not!"). This act of renunciation frees her: she receives a shadow, and the Emperor is restored to natural form.

Scene 4

The scene changes to a beautiful landscape. Barak and his Wife are reunited and she regains her own shadow. Both couples sing of their humanity and praise their Unborn Children.

Program and cast

Duration: approx. 4:17 h including two intervals (after act 1 and act 2)

Language: In German language with German and English surtitles

Recommended age: 16 years and older

CAST

MUSICAL DIRECTOR: Constantin Trinks

DIRECTOR: Claus Guth

SET DESIGN, COSTUMES: Christian Schmidt

LIGHT: Olaf Winter

VIDEO: Andi A. Müller

DER KAISER: Andreas Schager

DIE KAISERINL: Camilla Nylund

DIE AMME: Michaela Schuster

DER GEISTERBOTE: Arttu Kataja

HÜTER DER SCHWELLE DES TEMPELS: Evelin Novak

ERSCHEINUNG EINES JÜNGLINGS: Gonzalo Quinchahual

DIE STIMME DES FALKEN: Maria Kokareva

A VOICE FROM HEAVEN: Anna Kissjudit

BARAK: Lauri Vasar

BARAKS FRAU: Elena Pankratova

DER BUCKLIGE: Karl-Michael Ebner

DER EINÄUGIGE: Jaka Mihelač

DER EINARMIGE: Manuel Winckhler

DIENERIN 1 / KINDERSTIMME 1: Serafina Starke

DIENERIN 2 / KINDERSTIMME 2: Evelin Novak

DIENERIN 3 / KINDERSTIMME 3: Sandra Laagus

DIE STIMMEN DER WÄCHTER DER STADT 1: Friedrich Hamel

DIE STIMMEN DER WÄCHTER DER STADT 2: Carles Pachon

DIE STIMMEN DER WÄCHTER DER STADT 3: Dionysios Avgerinos

u. a.

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