A Masked Ball
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Melodramma in three acts - 1859
recommended for 14 years and older
First act
A room at Riccardo's house
While the governor Riccardo is asleep, he is being expected by numerous petitioners wishing him peace and quiet and assuring him of their loyalty. Samuel, Tom and their followers who have conspired against Riccardo and are seeking revenge secretly mingle amongst the crowd. Riccardo promises to be responsive to all the justified pleas but his attention is quickly distracted by the guest list of his upcoming ball. He notices the name of Amelia on that list. The mere thought of seeing her again makes him dream. His friend and most trusted advisor Renato, who is also Amelia's husband, is unaware of these thoughts. Renato warns Riccardo of a threatening attack and reminds him of his duties. Riccardo is not willing to be protected and therefore ignores the threat. The highest judge wants to banish the fortuneteller Ulrica. Oscar, Riccardo's page, defends Ulrica and emphasizes how all her prophecies have turned out to be true. Deciding to see for himself, Riccardo persuades everyone to pay Ulrica a visit in disguise at exactly three o'clock.
At the hut of the fortuneteller
Ulrica invokes prophetic spirits from whom nothing can be hidden. Riccardo – disguised as a fisherman –manages to mingle amongst the visitors at Ulrica's without being noticed. Ulrica promises a soldier named Silvano that he will soon become wealthy and receive a promotion. Riccardo makes the fortune of Silvano come true by slipping money and a note into his pocket. As Ulrica sends all her visitors away to admit Amelia, Riccardo secretly stays to eavesdrop on their conversation. Amelia begs for help as she is being tormented by her adulterous feelings for another man. She wishes to have a peaceful heart. Ulrica explains that the only way of finding peace, is by gathering by the gallows at midnight. Riccardo decides to follow Amelia. As the followers of Riccardo, including the judge and Oscar, but also Samuel and Tom arrive at Ulrica's place, Riccardo continues to play his role as a fisherman. He asks Ulrica to have his fortune told. She sees a powerful person in him by reading his palm. She predicts his soon-to-be and violent death by the hand of a friend. It will be the next person who shakes his hand. Riccardo appears unimpressed and makes fun of Ulrica's prediction. He offers his hand to all those present, but nobody dares to take it. At this moment Renato arrives unaware of the prophecy and clasps Riccardo's hand in greeting, thereby revealing the governor's identity. Riccardo thinks himself safe because Renato is his closest friend. He is hailed by his followers.
Second act
A lonesome field in the surroundings of Boston
Amelia arrives at the gallows. Although she is intimidated by the scary landscape, she is determined to find the remedy which Ulrica had told her about, even if this means killing off all her feelings. Riccardo who had followed her makes her confess her love to him. In exuberance Riccardo suppresses his friendship to Renato. Amelia on the other hand is torn between obligation and desire and wants to die. Unexpectedly Renato appears to warn the governor of the conspirators, who are secretly following Riccardo. Amelia covers herself with a veil before her husband can catch sight of her. Renato and Riccardo exchange their coats so the governor is able to remain unrecognized. Riccardo fleas, making Renato promise to take the veiled woman safely back to town and not asking her identity. Renato and Amelia fall into the hands of the conspirators, who are surprised to see Renato instead of Riccardo. They want to know who the veiled woman is. Renato takes up arms in order to protect her. Amelia interferes by dropping her veil. Renato has to face the fact that his friend's secret lover is nobody else than his own wife Amelia. He is exposed to ridicule. He asks Samuel and Tom to meet him the very next day.
Third act
Study at Renato's house
Renato is in disbelief of the protestations of innocence of his wife and is determined to kill her. She asks to see their son before she dies. He grants her wish. After Amelia leaves, he comes to the conclusion that it is Riccardo who should be punished with death and not his wife. He lets Samuel and Tom know that he will join the conspirators. The pledge for his honesty shall be his own son. They decide to draw lots to determine who will kill Riccardo. Renato forces Amelia to choose from the slips of paper. His own name comes up. Oscar brings the invitation to the masked ball. Renato deems this celebration to be suitable for the attack and agrees on a sign with Samuel and Tom. Amelia suspects what the three men are plotting and intends to warn Riccardo.
A cabinet at Riccardo's house
Riccardo believes Amelia is safe. He decides to renounce his love to Amelia and to send Renato and his family into another country. Oscar hands him over an anonymous letter in which Riccardo is warned about an attack on the very same evening. Riccardo does not want to be called a coward and plans to attend the ball anyway. There, he wants to say goodbye to Amelia forever.
A ballroom
At the ball Renato learns from Oscar what costume Riccardo is wearing. Amelia recognizes him in his disguise and warns him again. Riccardo still ignores the warning. He explains his decision and bids her a last farewell. At the very same moment Renato fires a shot at Riccardo. With his last breath Riccardo assures his friend Renato that Amelia is innocent as she never broke her marriages vows, and forgives everyone.
Program and cast
Composer Giuseppe Verdi. Libretto by Antonio Somma.
In Italian with English and German surtitles. New Production.
Expected runtime is around 2 hours and 55 minutes.
Conductor: Andrea Battistoni
Production: Johannes Erath
Set Design: Heike Scheele
Costume Design: Gesine Völlm
Video: Lea Heutelbeck
Lighting: Joachim Klein
Dramaturgy: Malte Krasting
Choruses: Stellario Fagone
Riccardo: Charles Castronovo
Renato: Igor Golovatenko
Amelia: Nicole Car
Ulrica: Yulia Matochkina
Oscar: Erika Baikoff
Silvano: Thomas Mole
Samuel: Bálint Szabó
Tom: Roman Chabaranok
Oberster Richter: Tansel Akzeybek
Diener Amelias: Dafydd Jones
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
National Theatre Munich
The National Theatre Munich (German: Nationaltheater München) is an opera house in Max-Joseph-Platz in Munich, Germany. It is the home of the Bavarian State Opera and the Bayerisches Staatsballett(Bavarian State Ballet).
The Bavarian State Opera also performs in the Prinzregententheater, which opened in 1901 and, like the Bayreuth Festspielhaus, is built to Richard Wagner's specifications, and in the Cuvilliés Theatre at the Residenz, constructed in 1751–1753 and described by Thierry Beauvert as "a Rococo gem".
The Nationaltheater is very easy to get to both by car and by MVV public transportation.
By MVV public transportation
S-Bahn: S 1 - 8 Marienplatz
U-Bahn: U 3, 6 Marienplatz, U 3 - 6 Odeonsplatz
Bus: 52, 131 Marienplatz, 100 Odeonsplatz
Straßenbahn: 19 Nationaltheater
On the day of the performance, holders of regular tickets are entitled to use public transport provided by the Münchner Verkehrsverbund (MVV). This service starts at 3 pm respectively three hours before the performance commences and ends with the closing hour of the MVV.
By Car
Take the Altstadt-Ring to Maximilianstraße.
Parking garage Max-Joseph-Platz: open Monday to Sunday from 6:00 A.M. to 2:00 A.M.
You can take advantage of the special theatre parking fee of Euro 10,- from 6:00 P.M. to 8:00 A.M. by presenting your admission tickets.