Il Cappello Di Paglia Di Firenze

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December 2024
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Giampaolo Bisanti conducting Nino Rota’s musical farce. Directed by Damiano Michieletto

Musical farce in four acts by Nino Rota, libretto by himself and Ernesta Rinaldi from the play Un chapeau de paille d’Italie by Eugène Labiche and Marc Michel

New version of the staging by the Fondazione Teatro Carlo Felice di Genova in collaboration with the Opéra Royal de Wallonie-Liège

 

 

Synopsis

Place: Paris

Time: 1850

 

Act 1

Fadinard's house

The wedding day of Fadinard, a well-to-do young man, and Elena, the daughter of Nonancourt, a rich country bumpkin. Elena's deaf uncle, Vézinet, appears in Fadinard's house carrying a wedding present in a large cardboard box. Fadinard enters, still upset by the adventure he has just had: returning home by gig, his horse nibbled and gobbled down a Florentine straw hat [it]which was hanging on a tree in the Vincennes woods. The owner of the hat, Anaide, appeared in a huff, accompanied by her husky escort, the officer Emilio. But the frightened horse set off at a gallop and swept his master home. As Fadinard waits for his bride, Anaide and Emilio unexpectedly appear and demand a hat exactly like the one the horse just ate.

At the sound of carriages announcing the arrival of the party of wedding guests, Anaide and her would-be escort run off and hide in the next room. The loutish Nonancourt enters with his daughter Elena, the sweet, innocent bride, railing at his son-in-law with the constant refrain "Tutto a monte" (It's all off). The interminable outburst ends in screams of pain at the agonizing tightness of his new pair of shoes. As the old man struggles to get out of them at least temporarily, Fadinard and Elena, alone for the first time, give way to their blissful happiness.

Meanwhile, the wedding party waiting impatiently in the carriages down in the street is heard singing: "Tutta Parigi noi giriam, lieti e felici siam."

Nonancourt goes down with his daughter, as Fadinard stays behind to try and get rid of the two intruders. The butler, Felice, who meanwhile has gone off to a milliner's with a scrap of straw as a sample to look for a hat of the same kind, comes back empty-handed. Anaide, bursting into tears, confesses that she cannot go home without the hat, for it was given to her by a "jealous and very brutal" husband. Fadinard, who is expected for his wedding, protests in vain: Anaide faints, Emilio threatens a duel. They refuse to budge from the house until Fadinard, even though he has to go and get married, comes back with a hat exactly like Anaide's.

 

Act 2

Intermezzo: A milliner's shop

Fadinard, having visited countless shops without success, enters with the sample of straw. Nothing doing here either: the only straw hat like it was sold a few days before to the highly fashionable Baroness of Champigny. Fadinard sets off for the Baroness' villa in Passy with all the wedding procession trailing behind.

The Baronessa of Champigny's villa

A gala occasion in the luxurious home of the Baroness: flowers, tables laid for a feast, elegance, for a reception in honor of the distinguished Italian violinist Minardi, who is going to play. Fadinard, who enters shyly to ask for the hat, is mistaken by the Baroness for the famous violinist. Overcoming his initial embarrassment, Fadinard manages to pretend he is Minardi, and asks for her hat as a keepsake. Meanwhile, his father-in-law Nonancourt and the wedding guests have followed Fadinard in secret and enter the adjoining dining-room, convinced they are at the wedding banquet. The Baroness returns with a black hat. Fadinard heatedly flies off the handle and menacingly demands the florentine straw hat. Frightened, the Baroness says she has given it as a present to her god-daughter, Madame Beaupertuis.

At this point, the wedding guests, who have gorged and caroused, burst gaily into the room to everyone's astonishment, as Elena, slightly tipsy, lifts her glass in a toast to the groom. Amazement, panic, confusion. Minardi, the real violinist, arrives. Fadinard, having gotten the address where the unattainable hat is to be found, takes advantage of the confusion to carry off the whole wedding party with him, as the Baroness swoons and her guests cry "the police!".

 

Act 3

Beaupertuis's house

Early in the evening, Beaupertuis is annoyed that his wife has not returned from a lengthy trip to the shops and suspects that she is having an affair. Fadinard arrives in search of the straw hat but fails to find it. Beaupertuis attempts to get Fadinard to leave his house, but he is unsuccessful.

Meanwhile, Nonancourt, Vezinet and the bridesmaids arrive, thinking they are in Fandinard's house. Elena is coaxed into what they believe to be the bridal suite. Fadinard soon realizes that Beaupertuis is Anaide's husband, after unknowingly revealing his plan to trick her. Beaupertuis confronts the intruders who finally realize they are in the wrong house. Chaos ensues.

 

Act 4

Intermezzo: A Paris street

The bedraggled and exhausted wedding procession, with Nonancourt and his daughter, sings the same old refrain: "Tutta Parigi noi giriam", and sets out for Fadinard's house. It starts to rain.

Square with a guard-post in front of Fadinard's house

The wedding procession arrives with open umbrellas, soaking wet and exhausted. Nonancourt orders Felice, the butler, to give back all the wedding presents and the dowry: he is going straight back to Charantonneau with his daughter. But Elena, by now completely in love with her new husband, refuses to leave. Meanwhile, Fadinard comes running up all out of breath: Beaupertuis is about to arrive with the intention of shooting his wife who is up in his house. When Nonancourt hears there is another woman in his son-in-law's house his fury knows no bounds; he insists upon leaving at once with all his things. A tussle ensues, in which the deaf uncle, Vézinet, takes part in order to salvage the box containing his wedding present: a florentine straw hat! At the sight of the hat, Fadinard rejoices and runs into the house to get Anaide and give her the hat which has finally been found. The patrol guards return from their rounds only to find Nonancourt and his relatives about to leave with the bundles and parcels, and suspecting they are thieves, have them shut up in the guard-house.

When Fadinard comes out with Anaide and Emilio, the hat is no longer in the box: Nonancourt has carried it off. What to do? Emilio, the enterprising officer, rushes into the guard-post to recover the hat.

Meanwhile, Beaupertuis arrives in a carriage. An animated scene follows: Fadinard tries to hide Anaide from her husband, disguising her as a sentry. Emilio tosses the hat out of the window of the guard-post, and the hat remains dangling on the wire holding up the street-lamp. While Fadinard does everything possible to distract the attention of the fuming husband, Emilio manages to cut the wire with his sword: the lamp crashes to the ground along with the hat, plunging the square into pitch darkness. Hearing the racket, the guards come running, the people living on the square light lamps and peer out of their windows in their nightshirts.

But in the meantime, Anaide has donned the florentine straw hat triumphantly and comes forward, scolding her flabbergasted husband for his negligence. Nonancourt, who has heard of his son-in-law's good deed, appears in the window of the guard-post, shouting at last: "Everything's...settled!" Thanks to the good graces of the corporal, all the wedding guests are let out of the guard-post and embrace the beloved groom and deliver all over again. Beaupertuis, abashed and repentant, bows down to his wife and begs forgiveness, as everyone shouts: "She's got the hat, she's got the hat!"

The day of adventure is over. Everyone can go to bed and the newly married couple can finally enter their house...to rest.

Program and cast

Main characters and performers:

Fadinard: Marco Ciaponi

Nonancourt: Nicola Ulivieri

Beaupertuis/Emilio: Paolo Bordogna

Uncle Vezinet: Didier Pieri

Felice: David Ferri Durà

Achilles of Rosalba/One guard: Blagoj Nacoski

A corporal of the guards: Franco Rios Castro

Elena: Benedetta Torre

Anaide: Giulia Bolcato

The milliner: Marika Colasanto

The Baroness of Champigny: Sonia Ganassi

Concertmaster and conductor: Giampaolo Bisanti

Director: Damiano Michieletto

Scenes: Paolo Fantin

Costumes: Silvia Aymonino

Lighting: Luciano Novelli

Orchestra, chorus and technicians of the Opera Carlo Felice Genoa
Choirmaster Claudio Marino Moretti

Carlo Felice Theater

  Built on the area of Carlo Felice, the new theater, built by Aldo Rossi, recovers an idea already present in Paul Chessa projects and Carlo Scarpa: the creation of a piazza covered with 400 square meters, where the theater it was the ideal link between Galleria Mazzini and Piazza De Ferrari. Distant instead from an architectural point of view are the same Galleria Mazzini and the theater. the square is an open foyer; the walls are covered with stone slabs, and are enriched with columns and metal beams. There are two requirements that the architects wanted to keep in mind in the implementation of the new Carlo Felice theater: first, the need to rebuild it exactly where it was and secondly the desire to equip the new facility with the latest technology. From the latter need arises the imposing fly tower about 63 meters high. In practice the old theater work of Barabino remain the columns, the portico, the Latin inscription and the terrace that overlooks Via XXV Aprile which is accessed by one of the foyer; the current structure is very compact and geometric, the fly tower is a very linear in height developed rectangular, adorned only by a cornice.The auditorium, the foyer and services for the public are contained in a smaller box, where they emphasize the porch and the porch. As for the construction of the new theater are the stone were used for the exterior, plaster and iron, for the interior marble and wood. It is durable material that suggests an image of eternity, security and survival of the building over time. From the covered square, descending a staircase, you enter a room with a capacity of about 200 seats. Equipped with a small stage and independent from the rest of the theater, the hall hosts conferences, lectures and musical events. The interior of the theater entrance wide staircase leads to the closet and still climbing, the first foyer which has an area of 660 square meters and is decorated with frescoes and tapestries. the lantern A characteristic feature of the new Carlo Felice is the lantern visible in the foyer overlooking the lobby; it's a kind a light cone that runs through the building in all its height and it runs through all the plans, bringing the light from the roof to the indoor square. The tower Absolutely unique is the scenario in which they operate the technical units; right in the scenic tower, which houses the machine to move the shows, come together in a delicate balance human labor and sophisticated gear.In fact, the theater has four stages, a main stage, a back stage behind the first two stages and less aligned with each other and managed by integrated electronic and computerized. These scenic handling facilities, computerized lighting, sophisticated booths director for filming and acoustics among the best in Italy are among the features that make the Carlo Felice a factory of emotions among the most important in Italy.

 

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