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Joey Calderazzo Trio
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 April 2031 | ||||||
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Joey Calderazzo is one of the best and most appreciated pianists of today. He has achieved the rare feat of going through a unique development in his career: From child prodigy to booked-out session musician to the absolute elite of the jazz world. Calderazzo began playing classical piano at the age of 8 and took his first jazz piano lessons at the age of 14. Not long after, he played at his first jam sessions and rapidly made a name for himself. At the end of the 80s, saxophone superstar Michael Brecker discovered the young pianist and brought him into his band. Brecker also produced Calderazzo's first album, which was released on Blue Note Records in 1990. From then on, a remarkable career took its course, in which the virtuoso pianist played his way into the highest spheres of the jazz world. He has worked with Pat Metheny, Kurt Elling, John Pattitucci, Jack DeJohnette, Peter Erskine, Jerry Bergonzi, Adam Nussbaum; the list goes on and on. Since 1998 he has also been a permanent member of the quartet of saxophone visionary Branford Marsalis, with whom he has received several Grammy nominations.
Program and cast
Joey Calderazzo: piano
Orlando LeFleming: bass
Donald Edwards: drums
PORGY and BESS Jazzclub
Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .
The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.
Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "
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