Madama Butterfly

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TRAGEDIA GIAPPONESE IN THREE ACTS (1904)

MUSIC BY Giacomo Puccini

​TEXT BY Giuseppe Giacosa and Luigi Illica after David Belasco

 

Lieutenant Pinkerton has fallen in love with the geisha Cio-Cio-San, known as Madama Butterfly, and wants to marry her according to Japanese custom without entering into a permanent relationship. But Butterfly truly loves Pinkerton and has a child by him. For years she waits in vain for the lieutenant to return. When Pinkerton does return, he arrives with his new American wife to pick up the child, and Butterfly stabs herself with a dagger.

»Madama Butterfly« is based on a novella that is allegedly a true story. When American fleets forced the opening of Japanese ports in around the mid-19th century, Japanese culture started to influence the West, not just vice versa. Soon operas and operettas were set in this new-found country, which, despite its rapid technological progress, promised a very different modernity through the preservation of its own culture. Giacomo Puccini incorporated the exoticism of Japan’s setting and its music far more than through mere colonialist appropriation. He studied sources of Japanese music, integrated original songs into his score and was inspired to write sophisticated instrumentation and distinctive timbres. These combine to make his »Japanese tragedy« one of the most touching operas in history. Eike Gramss’ production deals sensitively with this clash between two cultures in a scintillating Japanese setting.

 

PLOT

BACKGROUND
The American naval lieutenant Pinkerton is spending three months in Nagasaki on business. He meets the geisha Cio-Cio-San, whom everyone calls Butterfly. He finds her so fascinating that he immediately decides to marry her. Japanese law permits him to end the marriage at any time.

 

ACT ONE
Pinkerton has Goro, the marriage broker, show him the house he has rented for Butterfly and himself. The American consul Sharpless warns Pinkerton not to take Butterfly’s love lightly. Pinkerton ignores his advice and drinks with Sharpless to his future marriage to an American woman. – Butterfly brings her friends and relatives with her, and the wedding ceremony is performed quickly and without fuss by the registrar. Suddenly the priest appears and curses Butterfly for wanting to convert to Pinkerton’s faith. – Pinkerton sends the wedding guests away. He tenderly attempts to comfort Butterfly.

 

ACT TWO
Butterfly has been waiting unwaveringly for three years for Pinkerton to return from America. She is indignant that Suzuki, her maid, does not share her certainty. Sharpless visits Butterfly. He has received a letter from Pinkerton, who has asked him to prepare Butterfly for the fact that he will be returning to Japan but not to her, since he is now married. Butterfly is beside herself with joy to hear that there is news of Pinkerton and repeatedly interrupts Sharpless. He is unable to inform her of the letter’s true contents. – Goro brings Prince Yamadori to Butterfly; the prince wants to marry her. She mocks him for the many marriages he has entered into and then ended; she then rejects him. – Sharpless advises Butterfly to become Yamadori’s wife and to stop waiting for Pinkerton. She then shows Sharpless the child she bore after Pinkerton’s departure, insisting that he will come to his son and to her. Sharpless promises to tell Pinkerton about the child. – Suzuki pushes Goro into Butterfly’s house. He has been telling people that no one knows who the child’s father is. Butterfly wants to kill him. Suzuki stops her. – A cannon is fired, signalling the arrival of Pinkerton’s ship in the harbour. Butterfly and Suzuki decorate the house.

 

ACT THREE
Butterfly has spent the entire night waiting in vain for Pinkerton. Exhausted, she retires. While Butterfly is sleeping, Sharpless enters with Pinkerton and his wife, Kate. They have decided to take the child to America and to have it raised there. They want Suzuki to help them to convince Butterfly that this is the right decision. Pinkerton finds the situation unbearable and leaves. – Butterfly wakes up. She understands what they want of her. She asks that Pinkerton pick up his son himself. – Butterfly bids farewell to her child and then kills herself. When Pinkerton returns, he is not able to take the child with him. Sharpless leads the child away.

Program and cast

Duration: approx. 2:50 hrs including one interval after act one

Language: In Italian language with German and English surtitles

Recommended age: 14 years and older

 

CAST

MUSICAL DIRECTOR: Carlo Montanaro

DIRECTOR: Eike Gramss

SET DESIGN, COSTUMES: Peter Sykora

CIO-CIO-SAN: Maria Agresta

SUZUKI: Natalia Skrycka

KATE PINKERTON: Sandra Laagus

BENJAMIN FRANKLIN PINKERTON: Adam Smith

SHARPLESS: Carles Pachon

GORO: Gonzalo Quinchahual

PRINCE YAMADORI: Taehan Kim

UNCLE BONZE: George Andguladze

COMMISSIONER: Dionysios Avgerinos

STAATSOPERNCHOR

STAATSKAPELLE BERLIN

State Opera Unter den Linden

Staatsoper Unter den Linden is one of Berlin's most prestigious opera houses, with a rich history and significant cultural impact.

 

History:
The Staatsoper Unter den Linden was originally built between 1741 and 1743, under the direction of architect Georg Wenzeslaus von Knobelsdorff. It was commissioned by Frederick II of Prussia and was initially named the Königliche Oper (Royal Opera). The opera house has undergone several renovations and reconstructions, notably after World War II damage. It reopened in 1984, following a major renovation.

 

Construction:
The original design was characterized by its Baroque style, featuring an elegant façade and a grand entrance. The building was reconstructed in the 1950s and 1980s, maintaining its classical exterior while modernizing the interior. The façade features a classic portico with six Corinthian columns and a prominent central pediment.

 

Interior:
The interior is known for its opulent and classical design. The auditorium is renowned for its acoustics and grandeur, with luxurious velvet seats and elaborate decorations. The stage and seating areas have been updated to meet modern performance standards while preserving historical aesthetics.

 

Concerts and Performances:
The Staatsoper Unter den Linden hosts a variety of performances, including operas, orchestral concerts, and ballet. It is home to the Staatskapelle Berlin, one of Germany's leading orchestras. The opera house is celebrated for its high-quality productions and its role in Berlin’s vibrant cultural scene.

 

JOURNEY

The Staatsoper Unter den Linden has completely barrier-free access due to its excellent public transport connections.

ADDRESS: Unter den Linden 7; 10117 Berlin

SUBURBAN RAILWAY
S+U Friedrichstraße (S1, S2, S5, S7, S25, S75)

 

SUBWAY
Hausvogteiplatz (U2)
Museumsinsel (U5)
Stadtmitte (U2, U6)
Unter den Linden (U5, U6)

 

BUS
Staatsoper (100, 245, 300)
Unter den Linden/Friedrichstraße (100, 147, 245, 300, N6)

 

PARKING
Q-PARK parking garage Unter den Linden/Staatsoper
Bebelplatz, 10117 Berlin
There are five electric charging stations in the parking garage. Further information can be found here.

The underground car park on Bebelplatz offers disabled parking spaces and direct access to the opera house. On entering the car park between 5.30pm and 11.30pm, the maximum parking fee is €7. To use this tariff, enter your parking ticket in one of the pay machines and the message »Theatertarif« will appear on the display. Please note that it is not possible to use the tariff if you enter the car park before 5.30pm. so it will not be shown on the display. TIP: If you pay the theatre tariff at the pay machine before the event, you can avoid unnecessary waiting after the show.

Wikipedia
© Gianmarco Bresadola
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