Nabucco

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Giuseppe Verdi in May

 

Nabucco - Giuseppe Verdi (1813 – 1901)

 

Dramma lirico in four parts
Libretto by Temistocle Solera
First performed on 9. March, 1842 at Milan
Premiered at the Deutsche Oper Berlin on 8. September, 2013

Recommended for ages 14 and up.

 

Duration: 2 hrs 45 mins / 1 interval

In Italian language with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

 

 

Synopsis

 

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)

 

Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city (Gli arredi festivi giù cadano infranti / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God (D'Egitto là su i lidi / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace (Come notte a sol fulgente / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors (Viva Nabucco / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

 

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)

 

Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness (Anch'io dischiuso un giorno / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne (Salgo già del trono aurato / "I already ascend the [bloodstained] seat of the golden throne").

 

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law (Vieni, o Levita / "Come, oh Levite! [Bring me the tables of the law]"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine (Non son più re, son dio / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

 

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)

 

Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life (Oh di qual onta aggravasi questo mio crin canuto / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

 

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland (Va, pensiero, sull'ali dorate / "Fly, thought, on golden wings; [Fly and settle on the slopes and hills]"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

 

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)

 

Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered (Dio di Giuda / "God of Judah! [The altar, your sacred Temple, shall rise again]"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

 

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed (orchestral interlude and "Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death ("O dischiuso è il firmamento" / "O open is the firmament"). Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Baal. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Program and cast

Conductor: Paolo Arrivabeni

Director: Keith Warner

Stage design: Tilo Steffens

Costume design: Julia Müer

Chorus Master: Jeremy Bines

Nabucco: Juan Jesús Rodríguez, Amartuvshin Enkhbat (23.05.2025)

Ismaele: Jorge Puerta

Zaccaria: Liang Li

Abigaille: Ewa Płonka

Fenena: Karis Tucker, Martina Baroni (23.05.2025)

High priest of Baal: Gerard Farreras

Abdallo: Jörg Schörner

Anna: Maria Motolygina

Chorus: Chor der Deutschen Oper Berlin

Orchestra: Orchester der Deutschen Oper Berlin

Photo gallery
2013 / Bernd Uhlig
© 2013 / Bernd Uhlig
2013 / Bernd Uhlig
© 2013 / Bernd Uhlig
2015 / Bernd Uhlig
© 2013 / Bernd Uhlig
2013 / Bernd Uhlig
© 2013 / Bernd Uhlig

Deutsche Oper Berlin

The Deutsche Oper Berlin is an opera company located in the Charlottenburg district of Berlin, Germany. The resident building is the country's second largest opera house and also home to the Berlin State Ballet.

The company's history goes back to the Deutsches Opernhaus built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on November 7, 1912 with a performance of Beethoven's Fidelio, conducted by Ignatz Waghalter. After the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to Städtische Oper (Municipal Opera) in 1925.

 

Deutsches Opernhaus, 1912
With the Nazi Machtergreifung in 1933, the opera was under control of the Reich Ministry of Public Enlightenment and Propaganda. Minister Joseph Goebbels had the name changed back to Deutsches Opernhaus, competing with the Berlin State Opera in Mitte controlled by his rival, the Prussian minister-president Hermann Göring. In 1935, the building was remodeled by Paul Baumgarten and the seating reduced from 2300 to 2098. Carl Ebert, the pre-World War II general manager, chose to emigrate from Germany rather than endorse the Nazi view of music, and went on to co-found the Glyndebourne opera festival in England. He was replaced by Max von Schillings, who acceded to enact works of "unalloyed German character". Several artists, like the conductor Fritz Stiedry or the singer Alexander Kipnis followed Ebert into emigration. The opera house was destroyed by a RAF air raid on 23 November 1943. Performances continued at the Admiralspalast in Mitte until 1945. Ebert returned as general manager after the war.

After the war, the company in what was now West Berlin used the nearby building of the Theater des Westens until the opera house was rebuilt. The sober design by Fritz Bornemann was completed on 24 September 1961. The opening production was Mozart's Don Giovanni. The new building opened with the current name.

© Günter Karl Bose
© 2013 / Bernd Uhlig
© Bettina Stöß
© 2013 / Bernd Uhlig
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