Sächsische Staatskapelle Dresden, Tugan Sokhiev

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PreviousJanuary 2042
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After Sol Gabetta in Shostakovich, promising a captivating moment, Tugan Sokhiev brings to life the enchanting Seventh Symphony by Bruckner. Who better than the Staatskapelle Dresden to magnify its lyricism?

 

Created in 1959 by the illustrious Rostropovich, Shostakovich’s Cello Concerto No. 1, one of whose motifs runs through the Russian composer’s String Quartet No. 8, is a formidable work for both the soloist and the orchestra—significant parts are assigned to the horn and timpani. Bruckner’s Symphony No. 7 brought him his greatest success at its premiere in Berlin in 1884. Dedicated to Ludwig II of Bavaria, it also serves as a tribute to Wagner, who had passed away the previous year and to whom the Austrian composer held great admiration. Its poignant Adagio—brilliantly used by Luchino Visconti in his film Senso—acts as a vast and unforgettable tomb for the great departed.

Program and cast

Duration: approximately 2h10 including 1 intermission

 

Sächsische Staatskapelle Dresden
Tugan Sokhiev
, conductor
Sol Gabetta, cello

 

Programme
Dmitri Shostakovich
Cello Concerto No. 1

 

Intermission

 

Anton Bruckner
Symphony No. 7

Philharmonie de Paris

Grande salle Pierre Boulez - Philharmonie


The Grande salle Pierre Boulez (Symphonic Hall) boasts innovations in architecture, stage design and acoustical engineering. Thanks to a modular design, its capacity increases from 2400 people in the symphonic configuration to 3600 when the parterre is converted into a standing room area.


All five levels of the Grande salle Pierre Boulez are accessed via the entrance on Level 3 of Philharmonie, which can be reached via stairways, escalators and two lifts, with direct access from the Porte de Pantin plaza and the Philharmonie parking facility.


From the entrance, stairways and lifts inside the hall take visitors to the various levels.


The Grande Salle Pierre Boulez has thirty designated seats for people with reduced mobility.

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