Stucky-Doran-Tacuma
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Erika Stucky sees clear parallels between a live concert and a bank robbery!
Really? Yes!
It’s about a coup.
Each time, it requires precise preparation, finding the right accomplices to make the element of surprise work.
Into the concert hall - a full-throttle performance with conviction - back on the bus - and back to home base.
She needs specialists for such a musical adventure:
a pyrotechnician, a code-breaker, a driver, a card reader.
In other words, a team that understands each other perfectly and works in precise harmony at every moment.
With “Spacecake,” Stucky has gathered two of her oldest accomplices around her once again.
For over two decades, she has consistently relied on the outstanding talents of Christy Doran and Jamaaladeen Tacuma, internationally recognized masters of their craft.
Christy is known as a guitarist who fully absorbed the magic of Jimi Hendrix at a very young age, without losing his own musical personality and unique style. Few can manage that.
And Jamaaladeen received his knighthood in the band of the legendary Ornette Coleman.
A giant on bass. (Press text)
Program and cast
Erika Stucky: vocals, accordion, film, performance
Christy Doran: guitar
Jamaaladeen Tacuma: bass
PORGY and BESS Jazzclub
Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .
The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.
Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "