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© Janus Erika
The Nutcracker
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 August 2063 | ||||||
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The coming of December means not only the coming of the permanent cold but also the streets dressed in festive lights, the flurry of the Christmas markets and the smell of the roasted chestnut. The Christmas preparation is beginning, the indispensable element of which is the Nutcracker. In the 2019/20 season, the BudapestOperetta Theatre also staged the classic ballet as a special festive surprise.
The Nutcracker– which was presented in Győr and at the Vienna State Opera with huge success and full house – is a joint production with the Hungarian Dance Academy directed and choreographed by Gyula Harangozó. In the leading roles one can see the graduate students of the university, but multiple age groups will appear on stage during the performance, offering a diverse, colourful spectacle. A point of curiosity is that we can welcome the young talents appearing in our musical Carouselagain in our theatre.
In the role ofPrincess Clara, Alexandra Kozmér, Laura M. Ottlik (the titular private dancer of the Budapest Operetta Theatre) and Dorka Szelényi presented, and we can see Zsolt Gallai (the titular private dancer of the Budapest Operetta Theatre), Milán Sík (also the titular private dancer of the Budapest Operetta Theatre) and Valér Somai as Prince Nutcracker.
In theperformance, the Ballet and the Orchestra of the Budapest Operetta Theatre will participate, with Gyula Pfeiffer conducting.
The Nutcrackerconsists of two acts, its duration is 2 × 50 minutes. Since it is the mostpopular children’s ballet of the world, we also welcome the children, the play is recommended from the age of six.
About the Nutcracker
The classicsof Pyotr Ilyich Tchaikovsky was created based on E. T. A. Hoffmann’s tale, The Nutcracker and the Mouse King. This was firstreworked by Alexandre Dumas Sr., finally, the rewriting of Marius Petipa, the former choreographer of the Imperial Theatres, became the basis of the original Nutcracker. The enthusiasm of Tchaikovsky for the play was quite low because he thought that the gorgeous sceneries and costumes draw the attention away from the music, however, the interest of the theme of the tale raised his attention and he accepted the request for choreographing the ballet. It is interesting to know that this was the last creation of his life. The premiere of the Nutcrackerwas held on 18th of December, 1892 at the Mariinsky Theatre in St. Petersburg which was preceded by a concert on 7th March in St. Petersburg where an extract of the ballet, the so-called Nutcracker-suite was presented.
The play isset at Christmas evening when one of the guests, the uncle of Drosselmeier brings a nutcracker doll as a gift for the daughter of the family, Marie. The story carries on in the girl’s dream where the doll revives as a prince and takes the girl on a magical voyage. In its beginning, they immediately have to fight with the Mouse King and its army to proceed on the adventurous voyage of the dreams. In Hungary, the play debuted in 1927 with the choreography of Ede Brada, but finally it become known with Vajnonen’s choreography staged in Budapest in 1950.
Program and cast
Duration: 120 minutes
Number of Acts: 2
Chinara Alizade: Princess Klára
Barbara Szabó: Princess Klára
Horányi Eszter: Princess Klára
Radics Diána: Princess Klára
István Simon: Nutcracker Prince
Zsolt Gallai: Nutcracker Prince
Somai Valér: Nutcracker Prince
Milán Sík: Drosselmeyer
Babácsi Benjamin: Drosselmeyer
Gabriella Godó: Mrs. Stahlbaum
Szanyi Tamás: Soldier
Sautek Dóra: Barbi
Bajza Gréta MTE: Barbi
Hüvös Panna MTE: Barbi
Knausz Patrik MTE: Spider-Man
Sánta Benedek MTE: Spider-Man
Tóth Nikolett: Grandma
Bíró Emese: Snowflake Solo
Zhang Yi Di MTE: Snowflake Solo
Pethő Ferenc MTE: Chinese Boy
Gribovszki Sámuel MTE: Chinese Boy
Anita Homonnay: Eastern Girl
Vanda Marczinek: Eastern Girl
Pirók Zsófia m. v.: Spanish Girl
Horváth Tamás: Servant (1)
Hojer Szeverián: Servant (1)
Attila Nagy: Servant (2)
Fogarassy Máté MTE: Little Nutcracker
Orbán Zsombor MTE: Little Nutcracker
Vida Vencel MTE: Little Nutcracker
Hrubi Léna MTE: Little Klára
Miskolczi Tamara MTE: Little Klára
Balogh Jázmin MTE: Little Klára
Csíktusnádi-Kiss Viola: Little Klára
Conductor: Gyula Pfeiffer, Péter Dobszay
Pyotr Ilyich Tchaikovsky: Composer
Gyula Pfeiffer: Musical Director
József Dreiszker: Light Designer
János Madarász: Projection
Bence Apáti: Ballet Master
Alexandra Kozmér: Ballet Master
György Szakály: Ballet Master
Edit Marosi: Ballet Master
Zsuzsanna Németh: Ballet Master
Junior Gyula Harangozó: Choreographer-Director
Budapest Operetta Theater
History
The history of the Operetta Theatre begins with the name of Károly Somossy who used to run an Orpheum in the building at 17 Nagymező street since 1884. In 1890 he bought the house and had it transformed into an entertainment house by the Felner and Helmer company, which opened in 1894. Its interior design was exalted by all accounts. Then the venture went bankrupt in 1899, Károly Albrech restaurant keeper took over the operation and from 1902 a Variety Show started to work there with the name of Fővárosi Orfeum, under the management of Imre Waldmann.
The Americal theatre entrepreneur, Ben Blumenthal, after having purchased the Vígszínházm also rented the Orpheum in 1922. The refurbished theatre opened its gates on 23 December 1922 first as Fővárosi Színház, a year later taking up the name of Fővárosi Operett Színház.
From 1929 to 1930 the Fővárosi Művész Színház (Arts Theatre) worked there with leadership of Gyula Kabos. From September 1930 the theatre took up again its old name and was lead by Dezső Sebestyén but it was forced to close several times because of the scanty attendance. From 1936 to 1938 it hosted the Arts Theatre of Artúr Bárdos.
After the siege of Budapest the theatre was opened in march 1945 with the popular operetta by Imre Kálmá, the Csárdáskirálynő. This soon became the biggest Hungarian and international success of the play. The theatre was nationalized in 1949, and Margit Gáspár appointed as director. The general renovation of the building had already been decided in 1960 but it was only realized in the second part of the sixties. In 1966 the company moved into the former building of the Petőfi Theatre, and the reconstruction started according to the plans of the Középüettervező Vállalat (Company of Public Constructions). The designers were: Halmi Iván, Pozsay Csaba és Vajda Ferenc. The festive opening was held on 17 April 1971, again with a staging of Csárdáskirálynő. This was the thousandth performance of Imre Kálmán’s operetta.
Imre Halasi, who used to be the manager of the theatre from 1996 to 2000, changed the name of the theatre form 1. January 1998. Since then it is called Budapesti Operettszínház (Budapest Operetta Theatre). Another reconstruction of the building can be tied to the name of Halasi, the aim of which was the restoration of the original milieu. The designer, Mária Siklós, tried to free the building from the construction errors that got there during the several earlier reconstruction.
In March 2002 a studio theatre for 100 people was inaugurated, the so called Storage Room Theatre situated in the theatre’s wing in Mozsár street.
Architectural description
The unique character the theatre comes from the interesting features of the plot division. The main facade and the entrance of the Budapest Operetta Theatre opens from the Nagymező Street, however the functions of the theatre are built in to the inside courtyards framed by houses between the Andrássy, Nagymező and Mozsár streets. Therefore the mass of the auditorium and the flyloft is not perceptible from the street.
The two-storey mass of the main facade was built at the turn of the century, according to the plans of the famous Viennese theatre designer duo, Ferdinand Fellner and Herman Helmer. The entrance axe is surrounded at the entire height of the building by arched closed pediment. The entrance projection is articulated with two opening axes. The windows on the first floor are squared closed, while those on the second floor are arched. On the attics closing this part of the building on the complete with of the projection stands a lyre indicating the function of the building.
The side wings are articulated with three opening axes and pilasters, which surround the first and second floors. Between the ground and first floor a dividing edge and balusters run around. The first floor openings are arched, while those on the second floor are squared, closed with decorative frame and keystone. The ground floor surface is horizontally pointed. The wall plane of the storeys is punch coloured; the pilasters, the sides, the ornaments and the window frames are white.
The auditorium is fan-shaped with balconies on the first and second floor. The stage is framed with accented proscenium wall and proscenium boxes.
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