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© Florian Moshammer
The Winters Tale Ballet
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 November 2050 | ||||||
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PROLOGUE
Two kings separated as children are reunited in adulthood. One king, Leontes of Sicilia, marries Hermione, giving her a beautiful emerald. They have a son, Mamillius, and are blissfully happy. The other king, Polixenes of Bohemia, visits the court of Leontes. He is delighted to be reunited with his old friend and stays for nine months. By the time of his departure, Hermione is soon to give birth to her second child.
ACT 1
The court of Sicilia
It is the day of Polixenes’ departure. The Bohemian court say goodbye to their Sicilian friends. At Hermione’s request, Polixenes agrees to stay on another week. In a flash of jealousy, Leontes becomes convinced that his wife has been unfaithful and is carrying Polixenes’ child. Jealousy turns to rage and he attacks Polixenes, who flees back to Bohemia. Leontes publicly accuses Hermione of adultery and treason, then has her arrested. This so distresses Mamillius that he falls seriously ill.
In prison, Hermione has given birth to a daughter. The head of her household, Paulina, brings the newborn to Leontes, hoping to convince him that the baby is his daughter. Instead, Leontes violently rejects the child, then orders Paulina’s husband Antigonus to abandon the baby in a remote place. Antigonus sets sail into a brewing storm with the baby and some treasure, including the emerald once given to Hermione by Leontes.
Hermione is brought to trial and pleads her innocence. Leontes, now quite mad, refuses to believe her. Dazed and feverish, Mamillius enters the courtroom and, upon witnessing the unfolding tragedy, he collapses and dies from distress. Seeing the death of her child, Hermione too collapses dead and is taken away. Only now does Leontes realize the disastrous consequences of his terrible mistake.
The shores of Bohemia
Battling the storm, Antigonus struggles ashore to abandon the baby princess. As he leaves, he is pursued and killed by a wild bear. His ship, waiting at sea, is smashed to pieces on the rocks. As day breaks, a shepherd and his son Clown discover the baby girl and the treasure.
ACT 2
A hillside in Bohemia. Sixteen years later
Perdita, the abandoned daughter of King Leontes and Queen Hermione, has been raised by the shepherd who found her. She dances beneath the great tree with her love, Prince Florizel, the son of Polixenes, whom the other villagers know only as a shepherd boy.
The villagers arrive for the annual springtime festival. King Polixenes, who has heard that his son has been cavorting with a shepherdess, sends his steward to spy on the young prince. When the steward confirms his suspicions, Polixenes is enraged, and demands to see for himself.
At the festival, Perdita is to be crowned May Queen. In honour of the occasion, Father Shepherd presents her with the emerald necklace he found with her on the beach. Polixenes and his steward arrive in disguise, keen to see what Florizel is up to. On witnessing Florizel’s engagement to a mere shepherdess, Polixenes reveals himself. He is furious with Florizel, and condemns Perdita and her family to death. They all flee by boat to Sicilia, pursued by Polixenes.
ACT 3
A clifftop in Sicilia
King Leontes mourns by the clifftop graves of his wife and son, watched over by Paulina. Perdita and Florizel’s ship approaches Sicilia.ly.
The palace in Sicilia
Perdita and Florizel appeal to Leontes to allow their union, and to intercede with the enraged Polixenes on their behalf. Leontes is taken with the likeness of the Prince to Polixenes. He agrees to help the young couple, who remind him of his lost children. Polixenes arrives and Leontes tries to reason with him, but he violently handles Perdita, revealing the emerald. The long-lost Princess of Sicilia is miraculously alive and the two kings are reunited.
The Palace celebrates the wedding of Florizel and Perdita. As the festivities die down, Leontes is led by Paulina to see a new statue of Hermione. Deeply remorseful, he kneels at its base. Suddenly, the statue comes to life – it is Hermione, who is alive and has been kept in hiding by Paulina for 16 years. She embraces Leontes, and the family is reunited.
PROLOGUE & ACT 1 - 50 MIN.
INTERMISSION - 25 MIN.
ACT 2 - 35 MIN.
INTERMISSION - 25 MIN.
ACT 3 - 25 MIN.
Program and cast
Musical Direction: Christoph Koncz
Music: Joby Talbot
Choreography: Christopher Wheeldon
Scenario: Christopher Wheeldon
Stage & Costumes: Bob Crowley
Lighting: Natasha Katz
Projection Design: Daniel Brodie
Silk Effects Design: Basil Twist
Rehearsal: Jason Fowler, Gregory Mislin, Jillian Vanstone, Edward Watson
Vienna State Opera
Public Transport
Subway lines: U1, U2, U4
Trams: 1, 2, D, J, 62, 65
Buses: 59A
Local Railway: Badner Bahn
Stops: Karlsplatz / Opera
Taxi stands are available nearby.
Parking
Parking is only € 6, - for eight hours!
The Wiener Staatsoper and the ÖPARK Kärntner Ring Garage on Mahlerstraße 8, under the “Ringstraßengalerien”, offer the patrons of the Vienna State Opera a new, reduced parking fee. You can park in the Kärntner Ring Garage for up to 8 hours and pay only a flat fee of € 6, -. Just validate your ticket at one of the discount machines inside the Wiener Staatsoper. The normal rate will be charged for parking time greater than 8 hours. The validation machines can be found at the following coat checks: Operngasse, Herbert von Karajan-Platz, and the right and left and balcony galleries.
Important: In order to get the discount, please draw a ticket and do not use your credit card when entering the garage!
After devaluing your ticket in the Wiener Staatsoper you can pay comfortably by credit card or cash at the vending machines.
The machines accept coins and bills up to 50.- Euro. Parking time longer than 8 hours will be charged at the normal rate.
History
The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll. It was also impacted by other major artists such as Moritz von Schwind, who painted the frescoes in the foyer, and the famous "Zauberflöten" (“Magic Flute”) series of frescoes on the veranda. Neither of the architects survived to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide, and his friend Sicardsburg died of a stroke soon afterwards.
On May 25, 1869, the opera house solemnly opened with Mozart's Don Giovanni in the presence of Emperor Franz Joseph and Empress Elisabeth.
The popularity of the building grew under the artistic influence of the first directors: Franz von Dingelstedt, Johann Herbeck, Franz Jauner, and Wilhelm Jahn. The Vienna opera experienced its first high point under the direction of Gustav Mahler. He completely transformed the outdated performance system, increased the precision and timing of the performances, and also utilized the experience of other noteworthy artists, such as Alfred Roller, for the formation of new stage aesthetics.
The years 1938 to 1945 were a dark chapter in the history of the opera house. Under the Nazis, many members of the house were driven out, pursued, and killed, and many works were not allowed to be played.
On March 12, 1945, the opera house was devastated during a bombing, but on May 1, 1945, the “State Opera in the Volksoper” opened with a performance of Mozart's THE MARRIAGE OF FIGARO. On October 6, 1945, the hastily restored “Theaters an der Wien” reopened with Beethoven's FIDELIO. For the next ten years the Vienna State Opera operated in two venues while the true headquarters was being rebuilt at a great expense.
The Secretary of State for Public Works, Julius Raab, announced on May 24, 1945, that reconstruction of the Vienna State Opera would begin immediately. Only the main facade, the grand staircase, and the Schwind Foyer had been spared from the bombs. On November 5, 1955, the Vienna State Opera reopened with a new auditorium and modernized technology. Under the direction of Karl Böhm, Beethoven’s FIDELIO was brilliantly performed, and the opening ceremonies were broadcast by Austrian television. The whole world understood that life was beginning again for this country that had just regained its independence.
Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer since September 1, 2010.
© Florian Moshammer
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