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© ISM/Christian Schneider
Vespers for the Blessed Virgin, Concert
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 November 2025 | ||||||
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Important musicians worked in Venice from the Renaissance through to modern times, and for a long time the lagoon city was at the centre of the music printing industry. The world’s first opera house was even opened here, cementing Venice’s reputation as a musical city of world renown whose very name brings to mind the Gabrielis and Monteverdi, Porpora and Hasse, Rossini and Verdi, Gustav Mahler and Richard Wagner, not to mention Luigi Nono.
In 1613, Claudio Monteverdi was named maestro di cappella at San Marco in Venice, thus assuming one of the most coveted positions in Italy’s musical life. A decisive factor in his appointment as the basilica’s director of music was likely the publication of his Vespro della Beata Vergine in 1610, in which Monteverdi applied his speech-oriented musical style, honed in his operas, to the realm of sacred music. The staying power of this delicate yet monumental sacred work has made it a fixture in the canon to this day, more so than almost any other 17th-century composition.
Program and cast
Gianluca Capuano: Conductor
Il Canto di Orfeo
Jacopo Facchini: Chorus Master
Les Musiciens du Prince — Monaco
Bruno Mantovani
Venezianischer Morgen for choir a cappella
Claudio Monteverdi
Vespro della Beata Vergine
Stiftung Mozarteum
In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart. Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).
Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.
The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.
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