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© Nagy Attila
St Matthew Passion
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April 2025 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
St Matthew Passion - Johann Sebastian Bach / Felix Mendelssohn-Bartholdy
Oratorio in two parts, in German, with Hungarian, English, and German subtitles
Performance length: 3 hours, with 1 intermission.
The Saint Matthew Passion is Bach's greatest work, one which constitutes an unsurpassable pinnacle not only of Protestant church music, but in the universal history of music. Forgotten after Bach's death, the work was played in Berlin on 11 March 1829, a century after its original performance, with Felix Mendelssohn-Bartholdy conducting. The composer and conductor adapted the work to Romantic tastes in music performance, shortened it by a third, and employed an enormous (158-person) chorus and an orchestra scaled to match it. The resounding success resulted in a repeat performance on March 21, Bach's birthday, which became a significant social event: present were both the court and the crème de la crème of the contemporary German intelligentsia. This launched the Bach renaissance, and in a wider sense, the general practice of resurrecting earlier music.
"It is no exaggeration to say that the audience became part of a real curiosity."
Gusztin Rudolf, Playlist
Program and cast
Conductor: Zoltán Pad
Jesus: István Kovács
Evangelist: Rainer Trost
Soprano: Zita Váradi
Alto: Atala Schöck
Tenor: Rainer Trost
Bass: Krisztián Cser
Featuring the Hungarian State Opera Orchestra, Chorus, and Children's Chorus
Director: Géza M. Tóth
Visual design and animation: Géza M. Tóth, Balázs Fekti, Antonin Krizsanics, Miklós Gerdelics, Tibor Nagy
Consultant: Zsolt Czakó
Chorus director: Gábor Csiki
Head of the Children's Chorus: Nikolett Hajzer
Hungarian State Opera
STANDING ROOM TICKETS - INFORMATION IN CASE OF A FULL HOUSE!
If all the seats are sold out for the selected time, but you still want to see the production on that day, 84 of the extremely affordable standing seats will be sold at the theatre, 2 hours before the start of the performance, with which you can visit the gallery on the 3rd floor. Tickets can be purchased at the ticket office of the Budapest Opera House. We would like to draw your attention to the fact that the stage can only be seen to a limited extent from the standing places and the side seats, but at the same time, following the performance is also supported by television broadcasting on the spot.
The Opera House is not only one of the most significant art relic of Budapest, but the symbol of the Hungarian operatic tradition of more than three hundred years as well. The long-awaited moment in Hungarian opera life arrived on September 27, 1884, when, in the presence of Franz Joseph I. the Opera House was opened amid great pomp and ceremony. The event, however, erupted into a small scandal - the curious crowd broke into the entrance hall and overran the security guards in order to catch a glimpse of the splendid Palace on Sugar út. Designed by Mikós Ybl, a major figure of 19th century Hungarian architecture, the construction lived up to the highest expectations. Ornamentation included paintings and sculptures by leading figures of Hungarian art of the time: Károly Lotz, Bertalan Székely, Mór Than and Alajos Stróbl. The great bronze chandelier from Mainz and the stage machinery moda by the Asphaleia company of Vienna were both considered as cutting-edge technology at that time.
Many important artists were guests here including Gustav Mahler, the composer who was director in Budapest from 1887 to 1891. He founded the international prestige of the institution, performing Wagner operas as well as Magcagni’ Cavalleria Rusticana. The Hungarian State Opera has always maintained high professional standards, inviting international stars like Renée Fleming, Cecilia Bartoli, Monserrat Caballé, Placido Domingo, Luciano Pavarotti, José Cura, Thomas Hampson and Juan Diego Flórez to perform on its stage. The Hungarian cast include outstanding and renowed artists like Éva Marton, Ilona Tokody, Andrea Rost, Dénes Gulyás, Attila Fekete and Gábor Bretz.
© Nagy Attila
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