Living Legacies Ballet

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Living Legacies – George Balanchine, Christopher Wheeldon, Frederick Ashton | Ballet

 

About the work
Living Legacies brings together George Balanchine, Christopher Wheeldon and Frederick Ashton.
Living Legacies – living legacies – unites, with George Balanchine and Frederick Ashton, not only two pioneering choreographers whose works remain the state of the art of any ballet company and who have decisively shaped the art and development of classical dance, but also brings Christopher Wheeldon into the present, revealing lines and connections. Not only through the continuation of choreographic traditions, but also through their rethinking and reinterpretation, as well as through the dancers who inhabit the present moment, the heritage of classical ballet remains alive.

 

Good to know
With Living Legacies, a newly assembled production enters the repertoire, bringing to life the vision of ballet director Alessandra Ferri and anchoring classical dance in the present day: It belongs to us. I understand its depth, similar to classical music: it never goes out of fashion because it is an extraordinary art form. Of course, new works and new forms are created today – and that is important and wonderful – but the classical is our identity. And I stand by this identity. The audience that comes to our performances expects ballet, and the dancers who have trained their entire lives for it want to dance exactly that. It is in their DNA. We are a classical company and at the same time open to diverse approaches to this art form. We have the opportunity to further develop classical ballet, to find new narrative and expressive forms without denying its origins.
While Balanchine’s Divertimento No. 15 celebrated its premiere at the Vienna State Opera in 1990, Ashton’s Rhapsody and Wheeldon’s Within the Golden Hour experience their Vienna premieres in the Ballet Gala 2026.

 

Program and cast

Divertimento No. 15
Musical direction: David Coleman
Choreography: George Balanchine
Music: Wolfgang Amadeus Mozart
Costumes: Karinska
Staging: Sandra Jennings

 

Within the Golden Hour
Musical direction: David Coleman
Choreography: Christopher Wheeldon
Music: Ezio Bosso, Antonio Vivaldi
Costumes: Jasper Conran
Lighting: Peter Mumford

 

Rhapsody
Musical direction: David Coleman
Piano: Yoko Kikuchi
Choreography and stage: Frederick Ashton
Music: Sergei Rachmaninov
Costumes reconstructed by: Natalia Stewart
Lighting: Peter Teigen

Vienna State Opera

Public Transport
 

Subway lines: U1, U2, U4
Trams: 1, 2, D, J, 62, 65
Buses: 59A
Local Railway: Badner Bahn
Stops: Karlsplatz / Opera

Taxi stands are available nearby.
 

Parking



Parking is only € 6, - for eight hours!

The Wiener Staatsoper and the ÖPARK Kärntner Ring Garage on Mahlerstraße 8, under the “Ringstraßengalerien”, offer the patrons of the Vienna State Opera a new, reduced parking fee. You can park in the Kärntner Ring Garage for up to 8 hours and pay only a flat fee of € 6, -. Just validate your ticket at one of the discount machines inside the Wiener Staatsoper. The normal rate will be charged for parking time greater than 8 hours. The validation machines can be found at the following coat checks: Operngasse, Herbert von Karajan-Platz, and the right and left and balcony galleries.

Important: In order to get the discount, please draw a ticket and do not use your credit card when entering the garage!

After devaluing your ticket in the Wiener Staatsoper you can pay comfortably by credit card or cash at the vending machines.

The machines accept coins and bills up to 50.- Euro. Parking time longer than 8 hours will be charged at the normal rate.
 

History



The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll. It was also impacted by other major artists such as Moritz von Schwind, who painted the frescoes in the foyer, and the famous "Zauberflöten" (“Magic Flute”) series of frescoes on the veranda. Neither of the architects survived to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide, and his friend Sicardsburg died of a stroke soon afterwards.

 

On May 25, 1869, the opera house solemnly opened with Mozart's Don Giovanni in the presence of Emperor Franz Joseph and Empress Elisabeth.
The popularity of the building grew under the artistic influence of the first directors: Franz von Dingelstedt, Johann Herbeck, Franz Jauner, and Wilhelm Jahn. The Vienna opera experienced its first high point under the direction of Gustav Mahler. He completely transformed the outdated performance system, increased the precision and timing of the performances, and also utilized the experience of other noteworthy artists, such as Alfred Roller, for the formation of new stage aesthetics.

 

The years 1938 to 1945 were a dark chapter in the history of the opera house. Under the Nazis, many members of the house were driven out, pursued, and killed, and many works were not allowed to be played.

 

On March 12, 1945, the opera house was devastated during a bombing, but on May 1, 1945, the “State Opera in the Volksoper” opened with a performance of Mozart's THE MARRIAGE OF FIGARO. On October 6, 1945, the hastily restored “Theaters an der Wien” reopened with Beethoven's FIDELIO. For the next ten years the Vienna State Opera operated in two venues while the true headquarters was being rebuilt at a great expense.

 

The Secretary of State for Public Works, Julius Raab, announced on May 24, 1945, that reconstruction of the Vienna State Opera would begin immediately. Only the main facade, the grand staircase, and the Schwind Foyer had been spared from the bombs. On November 5, 1955, the Vienna State Opera reopened with a new auditorium and modernized technology. Under the direction of Karl Böhm, Beethoven’s FIDELIO was brilliantly performed, and the opening ceremonies were broadcast by Austrian television. The whole world understood that life was beginning again for this country that had just regained its independence.

 

Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer since September 1, 2010.

© Bwag/Commons
© Wiener Staatsoper
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