Officium Defunctorum

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April 2026
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OFFICIUM DEFUNCTORUM

The swan song of the Spanish Renaissance

The Officium Defunctorum by Tomás Luis de Victoria, composed for the funeral rites of Empress Maria of Austria in 1605, is the work that culminates the Spanish musical Renaissance. This monumental composition combines mass, matins lessons, responsories and motets, unfolding a polyphony of exceptional emotional and spiritual depth. Victoria alternates moments of homophonic sobriety with subtle imitations, integrating plainchant as a guiding thread and giving each section intense expressiveness.

From the solitude and suffering of Taedet animam meam to the inner peace of Versa est in luctum, the work expresses the soul's transition in the face of death with austere and sublime beauty. Its six-voice architecture, more complex than the usual practices in the Peninsula, underscores the grandeur of the work and its character as an epilogue of an era.

The vocal ensemble O Vos Omnes, under the direction of Xavier Pastrana, presents this repertoire with a balance between historical rigour and expressive intensity. The circular arrangement of the space - with the vocal group at the centre and the audience surrounding them in darkness - transforms the listening into an immersive experience through music that has traversed centuries without losing its power.

Program and cast

Programme

Tomás LUÍS DE VICTORIA (1548 – 1611)

Officium Defunctorum:  

Lectio: Taedet animam meam 

Missa Pro Defunctis:  

Introitus: Requiem Aeternam 
Kyrie 
Graduale: Requiem Aeternam 

Tractus: Absolve, Domine 

Sequentia: Dies Irae 

Offertorium: Domine Iesu Christe - V/. Hostias Et Preces 

Praefatium (cant pla) 

Sanctus - Benedictus 

In Elevatione (motectum): Versa Est In Luctum 

Agnus Dei 

Communio: Lux Aeterna (cant pla) 

Postcommunio: Dominus Vobiscum (cant pla) 

Absolutio: 

Responsorium: Libera Me, Domine 

 

Artistic details

O VOS OMNES

Clara BRUNET, soprano

Eulàlia FANTOVA, alto

Mercè BRUGUERA, alto

Martí DOÑATE, tenor

Tomàs MAXÉ, bass

Xavier PASTRANA, choir director and bass

Carmen Church

The fourteenth-century Carmen Church is the venue for recitals, chamber concerts and small-format operas, with seating for around 240 people.

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