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Orchestra I Pomeriggi Musicali
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 November 2051 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
80th Symphonic Season of the Orchestra I Pomeriggi Musicali
Program and cast
Classical Music
Conductor: Alessandro Bonato
Orchestra I Pomeriggi Musicali
80th Symphonic Season of Orchestra I Pomeriggi Musicali
Christmas Concert: The Waltzes of the Strauss Family
January 09-11, 2025
Wolfgang Amadeus Mozart (1756-1791)
Overture from "Le Nozze di Figaro"
Piano Concerto No. 22 in E-flat major, K482
Piano Concerto No. 24 in C minor, K491
Conductor and pianist: Alexander Lonquich
Orchestra I Pomeriggi Musicali
January 16-18, 2025
Jakov Gotovac (1895–1982):
Symphonic Dance
Reinhold Glière (1875–1956):
Horn Concerto in B-flat major, Op. 91
Pyotr Ilyich Tchaikovsky (1840–1893):
Symphony No. 6 in B minor, Op. 74 "Pathétique"
Conductor: Dawid Runtz
Horn: Radovan Vlatković
Zagreb Philharmonic Orchestra
January 23-25, 2025
Komitas (1869–1935):
Armenian Suite
Sergei Prokofiev (1891–1953):
Violin Concerto No. 2 in G minor, Op. 63
Ludwig van Beethoven (1770–1827):
Symphony No. 7 in A major, Op. 92
Conductor: George Pehlivanian
Violin: Stefan Milenkovich
Orchestra I Pomeriggi Musicali
January 30, 2025 - February 01, 2025
Pyotr Ilyich Tchaikovsky (1840–1893):
Piano Concerto No. 2 in G major, Op. 44
Gabriel Fauré (1845–1924):
Pavane in F-sharp minor, Op. 50
Suite from Pelléas et Mélisande, Op. 80
Conductor: Gianna Fratta
Piano: Avery Gagliano
Orchestra I Pomeriggi Musicali
February 06-08, 2025
Cristian Carrara (1977):
Festa! (World Premiere, commissioned by Pomeriggi Musicali)
Heitor Villa-Lobos (1887–1959):
Concerto for Harmonica and Orchestra W524 (version for accordion)
Georges Bizet (1838–1875):
Symphony in C major
Conductor: Alessandro Bonato
Accordion: Samuele Telari
Orchestra I Pomeriggi Musicali
February 13-15, 2025
Ludwig van Beethoven (1770–1827):
Egmont Overture in F minor, Op. 84
Wolfgang Amadeus Mozart (1756–1791):
Symphony No. 25 in G minor, K183
Max Reger (1873–1916):
Violin Concerto in A major, Op. 101
Conductor: Alessandro Cadario
Violin: Roman Simovic
Orchestra I Pomeriggi Musicali
February 20-22, 2025
Ludwig van Beethoven (1770–1827):
Piano Concerto No. 3 in C minor, Op. 37
Franz Schubert (1797–1828):
Symphony No. 4 in C minor, D417 "Tragic"
Conductor: James Feddeck
Piano: Filippo Gorini
Orchestra I Pomeriggi Musicali
February 27, 2025 - March 01, 2025
Francesco Antonioni (1971):
Bouquet (World Premiere, commissioned by Pomeriggi Musicali)
Richard Strauss (1864–1949):
Burleske in D minor for piano and orchestra
Max Reger (1873–1916):
Variations on a Theme by Mozart, Op. 132
Conductor: Alessandro Cadario
Piano: Antonio Alessandri
Orchestra I Pomeriggi Musicali
March 06-08, 2025
Antonín Dvořák (1841–1904):
Cello Concerto in B minor, Op. 104
Pyotr Ilyich Tchaikovsky (1840–1893):
Symphony No. 4 in F minor, Op. 36
Conductor: George Pehlivanian
Cello: Mischa Maisky
Orchestra I Pomeriggi Musicali
March 13-15, 2025
Ludwig van Beethoven (1770–1827):
Symphony No. 6 in F major, Op. 68 "Pastoral"
Wolfgang Amadeus Mozart (1756–1791):
Symphony No. 40 in G minor, K550
Conductor: Diego Fasolis
Orchestra I Pomeriggi Musicali
March 20-22, 2025
Ludwig van Beethoven (1770–1827):
Symphony No. 9 in D minor, Op. 125
Conductor: Diego Fasolis
Soprano: Michela Antenucci
Mezzo-soprano: Lucia Cirillo
Tenor: Charles Sy
Bass: Henryk Böhm
Swiss Radio Choir
Orchestra I Pomeriggi Musicali
March 27-29, 2025
Pyotr Ilyich Tchaikovsky (1840–1893):
Violin Concerto in D major, Op. 35
Richard Wagner (1813–1883):
Siegfried Idyll
Sergei Prokofiev (1891–1953):
Symphony No. 1 in D major, Op. 25 "Classical"
Conductor: Donato Renzetti
Violin: Giuseppe Gibboni
Orchestra I Pomeriggi Musicali
April 03-05, 2025
Wolfgang Amadeus Mozart (1756–1791):
Sinfonia Concertante in E-flat major, K364
Arnold Schoenberg (1874–1951):
Chamber Symphony No. 2, Op. 38
Darius Milhaud (1892–1974):
Le boeuf sur le toit, Op. 58
Conductor: Beatrice Venezi
Violin: Alessandro Milani
Viola: Luca Ranieri
Orchestra I Pomeriggi Musicali
April 10-12, 2025
Ludwig van Beethoven (1770–1827):
Violin Concerto in D major, Op. 61
Felix Mendelssohn Bartholdy (1809–1847):
Symphony No. 3 in A minor, Op. 56 "Scottish"
Conductor: Stefano Montanari
Violin: Viktoria Mullova
Orchestra I Pomeriggi Musicali
April 24-26, 2025
Nino Rota (1911–1979):
"Musical Portrait" for saxophone and orchestra
Leonard Bernstein (1918–1990):
"West Side Story Suite" for saxophone and orchestra (arrangements by Roberto Granata)
Conductor and saxophone: Federico Mondelci
Orchestra I Pomeriggi Musicali
May 08-10, 2025
Wolfgang Amadeus Mozart (1756–1791):
Piano Concerto No. 10 in E-flat major for two pianos, K365
Ludwig van Beethoven (1770–1827):
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor"
Piano and conductor: Louis Lortie
Piano: Illia Ovcharenko
Orchestra I Pomeriggi Musicali
May 15-17, 2025
Felix Mendelssohn Bartholdy (1809–1847):
Violin Concerto in E minor, Op. 64
Die Heimkehr aus der Fremde, Op. 89
Symphony No. 4 in A major, Op. 90 "Italian"
Conductor and violin: Julian Rachlin
Orchestra I Pomeriggi Musicali
May 22-24, 2025
Antonín Dvořák (1841–1904):
Symphony No. 8 in G major, Op. 88
Symphony No. 9 in E minor, Op. 95 "From the New World"
Conductor: Pietari Inkinen
Orchestra I Pomeriggi Musicali
Teatro dal Verme
The Teatro Dal Verme is a theatre in Milan, Italy located on the Via San Giovanni sul Muro, on the site of the former private theatre the Politeama Ciniselli. It was designed by Giuseppe Pestagalli to a commission from Count Francesco Dal Verme, and was used primarily for plays and opera performances throughout the 19th and early 20th centuries. Today, the theatre is no longer used for opera, and is a venue for concerts, plays and dance performances, as well as exhibitions and conferences.
The original 3,000-seat theatre, surmounted by a large cupola, was constructed in the traditional horseshoe shape, with two tiers of boxes and a large gallery (or loggione) which alone contained more than 1000 seats. It opened on September 14, 1872 with a production of Meyerbeer's Les Huguenots and soon established itself as one of Italy's most important opera houses. During its "golden years", the theatre saw the world premieres of Puccini's Le Villi (May 31, 1884); Leoncavallo's Pagliacci (May 21, 1892) and I Medici (November 9, 1893); and Cowen's Signa (November 12, 1893). It also saw the Italian premiere of Lehár's The Merry Widow (April 27, 1907).
By the 1930s, the theatre was mainly being used as a cinema. It was then severely damaged by American aerial bombardment during World War II, after which its magnificent central cupola, which had survived the bombing, was stripped of all its metal parts by the occupying German army. It was partially rebuilt in 1946, and for a period in the 1950s it was used for the performance of musicals. It then reverted to a cinema and a political conference hall.
In 1991, the theatre's interior underwent a major restructuring and renovation project which was completed in 1998. It now has a large modern auditorium, the Sala Grande, with 1420 seats, a smaller performing space known as the Sala Piccola, with 200 seats, and a space for exhibitions and conferences, the Sala Terrazzo. Since September 2001, it has been administered
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