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Anna Bolena

VenueTeatro del Maggio Florence Opera Italy
CalendarSun 07 Nov 2027 - Sun 14 Nov 2027
Synopsis/Details

On November 7 at 5:00 pm (with further performances on November 9, November 12 at 8:00 pm and Sunday November 14 at 3:30 pm), the Maggio’s project dedicated to Donizetti’s “Tudor Queens” will begin with Anna Bolena, presented in a new production in co-production with the Teatro Lirico di Cagliari. The performance will be conducted by Michele Spotti, while Andrea Bernard returns as stage director, following his previous production of Lucrezia Borgia at the Maggio. The role of Anna Bolena, the ill-fated queen, will be performed by soprano Jessica Pratt. Alex Esposito will sing the role of Enrico, Raffaella Lupinacci will portray Giovanna, and René Barbera will perform Percy.

Stagin by Maggio Musicale Fiorentino in coproduction with Teatro Lirico di Cagliari

 

Synopsis

Time: 1536

Place: Windsor and London

 

Act 1

Scene One: Night. Windsor Castle, Queen's apartments

Courtiers comment that the queen's star is setting, because the king's fickle heart burns with another love.

Jane Seymour enters to attend a call by the Queen; Anna enters and notes that people seem sad. The queen admits to Jane that she is troubled. At the queen's request, her page Smeaton plays the harp and sings in an attempt to cheer the people present. The queen asks him to stop. Unheard by any one else, she says to herself that the ashes of her first love are still burning, and that she is now unhappy in her vain splendor. All leave, except Jane.

Henry VIII enters and tells Jane that soon she will have no rival, that the altar has been prepared for her, and that she will have husband, sceptre, and throne. Each leaves by a different door.

Scene Two: Day. Around Windsor Castle

Lord Rochefort, Anna's brother, is surprised to meet Lord Richard Percy, who has been called back to England from exile by Henry VIII. Percy asks if it is true that the Queen is unhappy and that the King has changed. Rochefort answers that love is never content.

Hunters enter. Percy is agitated at the prospect of possibly seeing Anna, who was his first love. Henry and Anna enter and express surprise at seeing Percy. Henry does not allow Percy to kiss his hand, but says that Anna has given him assurances of Percy's innocence but she still has feelings for Percy. Henry VIII tells Hervey, an officer of the king, to spy on every step and every word of Anna and Percy.

Scene Three: Windsor Castle, close to the Queen's apartments

Smeaton takes a locket from his breast containing Anna's portrait. He has stolen it and has come to return it. He hears a sound and hides behind a screen. Anna and Rochefort enter. Rochefort asks Anna to hear Percy. Then he leaves. Smeaton peeps out from behind the screen, but cannot escape. Percy enters. Percy says that he sees that Anna is unhappy. She tells him that the king now loathes her. Percy says that he still loves her. Anna tells him not to speak to her of love. Before leaving, Percy asks whether he can see Anna again. She says no. He draws his sword to stab himself, and Anna screams. In the mistaken belief that Percy is attacking Anna, Smeaton rushes out from behind the screen. Smeaton and Percy are about to fight. Anna faints, and Rochefort rushes in. Just then, Henry VIII enters and sees the unsheathed swords. Summoning attendants, he says that these persons have betrayed their king. Smeaton says that it is not true, and tears open his tunic to offer his breast to the king for slaying if he is lying. The locket with Anna's portrait falls at the king's feet. The king snatches it up. He orders that the offenders be dragged to dungeons. Anna says to herself that her fate is sealed.

 

Act 2

Scene One: London. Antechamber of the Queen's apartments

The guards note that even Jane Seymour has stayed away from Anna. Anna enters with a retinue of ladies, who tell her to place her trust in heaven. Hervey enters and says that the Council of Peers has summoned the ladies into its presence. The ladies leave with Hervey. Jane enters and says that Anna can avoid being put to death by admitting guilt. Anna says that she will not buy her life with infamy. She expresses the hope that her successor will wear a crown of thorns. Jane admits that she is to be the successor. Anna tells her to leave, but says that Henry VIII alone is the guilty one. Jane leaves, deeply upset.

Scene Two: Antechamber leading into the hall where the Council of Peers is meeting

Hervey tells courtiers that Anna is lost, because Smeaton has talked and has revealed a crime. Henry VIII enters. Hervey says that Smeaton has fallen into the trap. Henry VIII tells Hervey to continue to let Smeaton believe that he has saved Anna's life. Anna and Percy are brought in, separately. Henry VIII says that Anna has had sex with the page Smeaton, and that there are witnesses. He says that both Anna and Percy will die. Percy says that it is written in heaven that he and Anna are married. They are led away by guards.

Jane enters. She says that she does not want to be the cause of Anna's death. Henry VIII says that she will not save Anna by leaving. Hervey enters and says that the council has dissolved the royal marriage and has condemned Anna and her accomplices to death. Courtiers and Jane ask the king to be merciful. He tells them to leave.

Scene Three: Tower of London

Percy and Rochefort are together in their cell. Hervey enters and says that the king has pardoned them. They ask about Anna. Hearing that she is to be executed, they choose to be executed also. They leave, surrounded by guards.

In Anna's cell, a chorus of ladies comment on her madness and grief. Anna enters, she imagines that it is her wedding day to the king. Then she imagines that she sees Percy, and she asks him to take her back to her childhood home (Donizetti used the theme from the English/American song Home Sweet Home as part of Anna's Mad Scene to underscore her longing). Percy, Rochefort and Smeaton are brought in. Smeaton throws himself at Anna's feet and says that he accused her in the belief that he was saving her life. In her delirium, Anna asks him why he is not playing his lute. Cannon fire sounds and Anna regains her senses. She is told that Giovanna and Enrico are being acclaimed by the populace on their wedding day. Anna says she does not wish vengeance on them. She faints. Guards enter to lead the prisoners to the block.

  • Where is Teatro del Maggio located?
    • Teatro del Maggio is located at Piazzale Vittorio Gui, 1, 50144 Florence, Italy, near the historic Stazione Leopolda and close to the city centre.
  • How early should I arrive at the Teatre?
    • We recommend arriving at least 30 minutes before the scheduled start time. This allows enough time to reach the entrance, have your ticket checked and find your seat.
  • Is there a dresscode?
    • There is no need to wear formal evening attire. Smart casual or elegant clothing is recommended for the ballet. Comfortable but presentable attire is appropriate for the theatre environment.
  • Can I enter the auditorium if I arrive late?
    • Late entry to the auditorium may not be permitted once the performance has started. According to the theatre's visitor rules, latecomers may be admitted during the first available interval.
  • Can I bring a large bag or backpack?
    • Large bags and backpacks should not be taken into the auditorium. The theatre provides a free cloakroom for large items.
  • Can I bring food or drinks into the auditorium?
    • No. Food and beverages are not permitted inside the auditorium during the performance or interval.
  • Can I take photos or record the show?
    • Audiovisual recording is prohibited during performances unless special permission has been granted.
  • Is Teatro del Maggio accessible for visitors with disabilities?
    • Yes. The theatre provides accessibility arrangements, including reserved parking spaces close to the entrance.
Cast

Running Time: 3 hours and 40 minutes (intermission included)

 

Artists

Conductor: Michele Spotti

Chorus master: Lorenzo Fratini

Director: Andrea Bernard

Sets: Alberto Beltrame

Costumes: Elena Beccaro

Lights: Marco Alba

Maggio Musicale Fiorentino Orchestra and Chorus

Enrico VIII: Alex Esposito

Anna Bolena: Jessica Pratt

Lord Rochefort: Alberto Petricca

Giovanna di Seymour: Raffaella Lupinacci

Lord Riccardo Percy: René Barbera

Smeton: Aleksandra Meteleva

Sir Hervey: Alexandru Tiba*

* Artists of the Maria Manetti Shrem Emerging Artists Program

 

Venue
Teatro del Maggio Florence Opera Italy

Teatro del Maggio is in the centre, close to the old city walls, next to the historic Stazione Leopolda. The garden that welcomes visitors is Piazzale Vittorio Gui, named after the founder of the Stabile Orchestrale Fiorentina and the Maggio Musicale Fiorentino.


By train
Santa Maria Novella is Florence's main train station.
From there you can reach the theatre with a short walk (about 10-15 minutes) or by taking the tram (a stop) or a taxi.


By car
The Opera di Firenze is just outside the ZTL area.
It is possible to park near the Parco delle Cascine or for a fee in the Porta al Prato car park (Via Elio Gabbuggiani, 7) and in the Piazza Vittorio Veneto car park.


By bus
Lines C1, C2 and D (Leopolda stop);
Lines 17 and 23A-B (stop Via delle Carra);
Lines 17B-C, 22, 23N, 23 and 57 (Pierluigi da Palestrina stop);
Lines 29, 29B, 29BA, 29BC, 29D, 30A, 30B, 30AC, 35 and 35° (stop Leopolda - Porta al Prato; Capolinea).


By tram
Line T1 (stop Porta al Prato - Parco della musica).

Accomodation

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