Pannon Philharmonic Orchestra
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The Pannon Philharmonic Orchestra is renowned for its vibrant performances and versatile repertoire, spanning classical masterpieces to contemporary works. Founded with a commitment to artistic excellence, the orchestra collaborates with leading conductors, soloists, and choirs, bringing both technical precision and expressive depth to every concert. Its programs often highlight the richness of Hungarian musical heritage while embracing international influences, offering audiences a dynamic and immersive experience. Whether performing symphonic works, oratorios, or concertos, the Pannon Philharmonic Orchestra combines passion, energy, and refined artistry, making each performance a memorable journey through the power and beauty of orchestral music.
Program and cast
Sunday, 18 October 2026 – Großer Saal | 19:30
Pannon Philharmonic Orchestra
Hungarian National Choir
Gergely Kesselyák, conductor
Programme
Franz Liszt
Christus. Oratorio for soloists, mixed choir, and orchestra after texts from the Holy Scriptures and the Catholic liturgy
Christmas Oratorio
After Epiphany
Interval
Passion and Resurrection
End approx. 21:30
Sunday, 30 May 2027 – Großer Saal | 11:00
Pannon Philharmonic Orchestra
Michael Maciaszczyk, conductor
Elvin Hoxha Ganiyev, violin
Programme
Franz Schubert
Overture to Rosamunde, Princess of Cyprus, D 797
Mieczysław Karłowicz
Violin Concerto in A major, op. 8
Interval
Sergei Prokofiev
Romeo and Juliet. Excerpts from the ballet suites, op. 64
End approx. 13:00
Musikverein Golden Hall
This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
Great Hall - Golden Hall
“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.
The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”
Brahms Hall
"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.
The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.
Glass Hall
As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.
Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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Seating plan